Tuesday, February 24, 2015
Wednesday, February 11, 2015
Saturday, October 04, 2014
Thursday, July 03, 2014
Monday, June 30, 2014
Really had fun painting this, the reference was a studio photo of Tom to promote the stage production of Coriolanus he was in recently (by photographer Spencer Murphy).
I've printed 10 copies of this (A3 size) which I will sign and number individually. The price is £20 inc p&p (for the UK, there will be a small postal charge if you are overseas) - so the first ten people to e-mail me and place an order will get them! I'm only going to print 10 in total so once they are gone that's it. My e-mail is email@example.com :)
Monday, May 12, 2014
Thursday, May 08, 2014
Tuesday, May 06, 2014
Thursday, May 01, 2014
This was done in an afternoon, for fun really - I'm a big fan of Sean's books and lectures so it was great painting this while listening to talk of bosons, leptons, quantum fields etc. Here are links to a couple of his books and a couple of great lectures:Lecture: The Particle at the End of the Universe
Unfortunately the focus needed to be Farage rather than Clegg and from above rather than below, so I re-jigged the whole thing and came up with a different composition (not as good but more appropriate):
Wednesday, February 26, 2014
Tuesday, January 28, 2014
Friday, January 10, 2014
Saturday, December 07, 2013
This is the latest cover for The Week, of David Cameron off schmoozing a (really fun to do) Chinese dragon. Below is the previous cover I did, which was all about the dark side of the internet. A bit rushed and not that great really! Still, always learning:)
Friday, October 11, 2013
Here are a couple of new covers, one for The Week and the other for The Skeptic magazine:
This is Karl Marx, to illustrate the story about Ed Milliband and The Daily Mail scrapping about what they printed about Ed's dad. The headline is "Can a Marxist be a patriot?"
This is an illustration of Prof. Elizabeth Loftus who is world renowned for her work on memory. The idea I came up with is for her photo to be part of a police suspect list. Not sure how well that actually comes across, I made the other photos some of the characters from The Usual Suspects just as a bit of humour. Fun to do but perhaps not all that successful!
Monday, September 30, 2013
Something a little different once again for the Wall Street Journal - this is Howard Gordon, producer of TV shows '24' and 'Homeland' amongst others. I was asked to do a background echoing a promo photo for Homeland that had a character with a pinboard full of paperwork. Also it's a portrait really, not a caricature as I normally do. Quite a challenge to get it all put together in the time, but lots of fun. It went down really well at the WSJ too, which is great.Click here to go to the WSJ article online.
Friday, September 20, 2013
Friday, August 30, 2013
I'm really pleased with this not because it's that great an illustration, but because it was my idea (unlike my earlier covers for The Week which were the editor's). This was decided Monday lunchtime and a lot has happened since then, so I'm glad they went with my idea rather than another less important story. I'm doubly pleased because it was a real joint effort to get it to the final stage.
After pitching my idea, this is the rough sketch I sent for approval:
This was the image I had in my head - a pair of UN inspectors almost silhouetted against a ruined Syrian street, with a UN white 4x4 in the middle ground. I got the go ahead and worked on it a bit more. The UN guys were way too dumpy and badly proportioned so I adjusted them as well as putting more detail into the scene:
At this point the editor wasn't sure they UN guys were really connected to the rest of the picture and he wanted it to feel like you were looking over their shoulder at the devastation beyond, to increase the impact. So he suggested pulling them back much closer to the viewer. I really didn't want to do that as I was attached to my two-man silhouette, but I agreed to give it a try. I knew that I couldn't fit two guys that close without losing half the scene so I just pulled one back and put the other in the middle ground with the car. Of course the final image looks SO much better, the editor was 100% spot on and now I'm really happy we got a decent image that does the story at least some justice.